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  • Issue 9: Brilliant/Buckets 2018
    • Editors’ Note
    • Natalie Cheung
    • Holly Day
    • Margaret Devadason
    • John Grey
    • James Croal Jackson
    • Brian Khoo
    • Edward Koay
    • John Lee
    • Koshika Sandrasagra
    • Ian C Smith
    • Shilpa Dikshit Thapliyal
    • Thao Nhi Do
    • ​Samuel Caleb Wee (prose)
    • Samuel Caleb Wee (poetry)
  • 8.3: "Un-gendering Home" Special
    • Editor's Note
    • Vicky Chong
    • Elizabeth Hepzibah Goh
    • Michelle Chua
    • Surinder Kaur
    • Pallavi Narayan
    • Clara Mok
    • Priyanka Srivastava
    • Vanessa Yeo
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    • Issue 1: Scorching/Sweltering 2015 >
      • Editors' Note
      • Ang Ming Wei
      • Rodrigo Dela Peña, Jr. + Jau Goh
      • Sebastian Ernst
      • Jau Goh
      • Tse Hao Guang
      • Krystle Huan
      • Helen Palmer
      • Euginia Tan
    • Issue 2: Hazy/Humid 2015 >
      • Editors' Note
      • Troy Cabida
      • Charmaine Chan
      • Deborah Chow
      • Brendan Goh + Tan Hai Han
      • Tammy Ho Lai-Ming
      • Fiona Kain
      • Lina Lee
      • H Ng
      • Tan Xiang Yeow
    • Issue 3: Pouring/Parching 2016 >
      • Editors' Note
      • Bisuketto Studio/Charmian Ong
      • Alton Melvar M Dapanas
      • Benedicta J. Foo
      • Matthew James Friday
      • Elizabeth Gan
      • Riyoo Kim
      • Mulyana
      • Jeremy Richey
      • Shaista Tayabali
      • Andrew Yuen
    • Issue 4: Thunder/Tempest 2016 >
      • Editor's Note
      • Steph Dogfoot
      • Sandys Hocombe + Rene Daigle (Beagles Comics)
      • Lydia Lam
      • See Wern Hao
      • Ruth Tang
      • Hazel Wu
      • Nancy Zhang
      • Wong Wen Pu
    • Issue 5: Muggy/Monsoon 2016 >
      • Editors' Note
      • Sandra Arnold
      • Jennifer Anne Champion
      • Alex Chow
      • Lawdenmarc Decamora
      • Eun Go
      • Goh Li Sian
      • Sean Francis Han
      • Eileen Lian
      • Ros Lin
      • Ng Yuan Siang
      • Yurina Rahmanisa
      • G David Schwartz
      • Lia Varbanova
    • Issue 6: Searing/Sticky 2017 >
      • Editors' Note
      • Michaela Anchan
      • Paul Beckman
      • Deborah Chow
      • Jacqueline Goh
      • Trivia Goh
      • Gerline Lim
      • Max Pasakorn
      • Dan Tan
      • Verena Tay
      • Judith Tse
      • David Wong Hsien Ming
      • Nicole Yeo
    • 6.5: Special Issue >
      • My Mother's Menagerie
      • Bagdogra Airport
      • Invisible
      • Matter, Mostly Dark Matter, and the Rest is Energy
    • Issue 7: Tropical/Torrid >
      • Editors' Note
      • Daniel de Culla
      • Matthew James Friday
      • Iman Fahim Hameed
      • Joshua Ip
      • David Koo
      • Iris N. Schwartz
      • Adeline Tan (Mightyellow)
      • Athena Tan
      • Buz Walker-Teach
      • Ryan Thorpe
    • 7.5: Election Issue >
      • Editors' Note
      • Gary Beck
      • Sarah Bigham
      • Celia Hauw
      • Chris Rodriguez
      • Helen Lee Tart
      • Jonathan Yip
    • Issue 8: Stormy/Sodden 2017 >
      • Editors' Note
      • Nolcha Fox
      • Mitchell Krockmalnik Grabois
      • Kyle Hemmings
      • Marcus Ong
      • Rodrigo Dela Peña, Jr.
      • Ian C Smith
      • Jim Zola
Image: Superfamous


Gerline Lim


1. Yong Tau Foo

Cut up the triangles and feed me
like a fishball in Ah Ma's laps so she

could fit me her love swinging
from the morning market drenched
in sweet red sauce, dense
as the burnt smell of dancing red ants
uncle collected in a pot, hot
like the cane strokes Ah Gong bestowed
upon us because we dared to infuriate
his name which is huo (火) -
torching us all yet we deny
his wick in us, too quick like him
to jump on anyone
who gets under our skin,
scorching us all until Ah Ma
loosened her smooth skin each time
to wrap us snug


2. Ngoh Hiang

like a ngoh hiang
in bean curd skin;
cut in straight line
like it should be. 
Under the heat,
now a curl;
now creases,
puffed in my mouth 
to the roof, crumbling 
home. Now weightless,
but is it?
Only the meat of it left,
minced by Ah Ma's fingers
which are my mother's.
Their arms measuring time with spots
as they still stand side by side, 
by the narrow stove which 
could not fit me until 
their absence stretched wide
enough for me to look across the oceans
and between their shoulders 
at my fingers


3. I refuse to draw lines

which my father said
were meant for desk-bound jobs
which would never fail to bind me
if there was a long line across my palm.
Instead there was just a short curve
meeting the spaces 
between my fingers. Spaces
that foretold the absence 
of a fortune, looking like the blank 
between the cookie's lips
which I flipped and out 
an O escaped, circling me 
back to the spaces so I 
will not stop between my lines 
in order to arrive at the dumpling skin.

Picture
Gerline Lim is a Singaporean living in Germany who sometimes misses her playground in the east side.
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